The Wayang as a Cultural Performance: Preserving Javanese Heritage in the Modern Era

Asep Achmad Hidayat; Usman Supendi; Supi Septia Wahyuni; Ramza Fatria Maulana

doi:10.59890/ijarss.v3i5.32

Authors

Asep Achmad Hidayat Sunan Gunung Djati State Islamic University
Usman Supendi Sunan Gunung Djati State Islamic University
Supi Septia Wahyuni Sunan Gunung Djati State Islamic University
Ramza Fatria Maulana Syarif Hidayatullah State Islamic University

DOI:

https://doi.org/10.59890/ijarss.v3i5.32

Keywords:

Wayang golek, Javanese culture, Cultural Heritage, Traditional Performance

Abstract

Wayang, a traditional Javanese performance art, embodies deep cultural, spiritual, and philosophical values. This study examines wayang golek as a cultural representation of Javanese heritage and explores its contemporary relevance. Employing a historical research method, the study traces its evolution, sociocultural functions, and adaptive strategies in response to globalization and cultural shifts. Findings reveal that despite the dominance of popular culture and digital media, wayang golek endures through innovation, educational integration, and digital dissemination. The sustained efforts of puppeteers (dalang), art communities, educational institutions, and government policies are crucial to its preservation. This study affirms wayang as a living cultural performance with transformative potential in today’s sociocultural context.

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